The Zeiss Otus 1.4/85 85mm f/1.4 ZF.2 Lens For Nikon  is a superlative lens in every respect - just like every other focal length in the unique Zeiss Otus family. A lens designed and constructed with the comprehensive expertise and vast experience of Zeiss.
Features in portraits and finest details in textures are not the only things reproduced in perfect quality by the Otus 1.4/85. Its extremely large initial aperture is simply ideal for isolating subjects from their backgrounds. At the same time, the Otus 1.4/85 is far more than a portrait lens. Take advantage of its high speed for available light photography, its moderate angle of view for landscapes or its close focusing distance for reproductions.
The optical correction of the Otus 1.4/85 completely eliminates almost all possible forms of aberration – and makes every picture you take as exciting as the first, even after thousands of exposures.
The best short tele lens in the world
The famous symmetric lens design invented by Dr. Paul Rudolph at Zeiss in 1896. The Planar lens is the most successful camera lens design – and, by the way, the most plagiarized – ever created. It provides the lens designer with numerous means to correct aberrations extraordinarily well. And its performance is very constant over a wide range of imaging ratios, enabling such a versatile lens variety as the Makro-Planar lens.
- Apo Planar with 11 lens elements in 9 groups
- Lens with aspheric surface
- Lens made of special glass with anomalous partial dispersion
- "Floating Elements" design
The Otus 1.4/85 offers peerless image quality, even with an open aperture. As a short telephoto lens with an 85-millimeter focal length, this new member of the Otus family shows its strengths especially when people are center stage. Thanks to the longer focal length of this lens, photographers can keep a decent distance from the subject. At the same time, the lens is highly versatile: it excels in general studio work, as well as for fashion, advertising, product and architectural photography. Even photographers who are looking for a powerful companion for nature photography will find it in the Otus 1.4/85 – the edges of the picture can be used for compositional purposes at all f-stops. Photographers who had a chance to test exclusively this new flagship from Germany’s leading optics specialist were enthusiastic. Using the Otus 1.4/85 in combination with a full-frame SLR lets a photographer master all shooting situations and achieve effects that until now have only been known from the medium-format range: unusually high contrast, unusually high depth of field, impressive three-dimensional effects and sensational quality.
Is there little ambient light? That is no problem for the Otus 1.4/85. When the light fades, Zeiss’s newest high-end lens ‘sees’ just as well as the owl species from which this lens family gets its name. There is no trace of correction deficits, which are typical in such situations.
Just like its older ‘brother’, the Otus 1.4/55, the new Otus has been designed to meet professional photographers’ most rigorous demands. Internal focusing, the dial window, and the dials‘ clearly recognizable yellow labeling, familiar from professional cine lenses like ARRI/Zeiss Master Prime, are just a few of the characteristics of the Otus 1.4/85. The smooth manual focus operation with the large angle of rotation of 261 degrees combined with the easy-to-grip focus ring enables the finest variations in focusing. The freedom to focus — one of the most important creative elements in photography — has literally been put into the hands of the photographer as an artistic tool. Both the extra-fine haptics and the precision of the focusing mechanism can only be achieved with the metal design of the Otus range. The robust all-metal barrel is also well equipped to deal with the rough daily work of a professional photographer, ensuring a long product life. And for all photographers who in addition to the actual optics also rely on screw-on filters in their work, matching T* UV and POL filters with a diameter of 86 millimeters will be available from Zeiss for the Otus 1.4/85.
Optically, the Otus 1.4/85 stands out for its high image quality, even with an open aperture — as is true for the entire Otus range. Specifically, that means a neutral bokeh in the background, highly detailed images without any bothersome optical artifacts, consistently high resolution power across the entire image field, no color fringing or distortion, and an extremely high image contrast all the way into the edges. The imaging performance remains entirely consistent for all shooting distances. High apertures can be used even for close-ups right down to a working distance of 0.65 meters. This freedom offers the photographer new opportunities to compose his or her subjects, without having to waste time thinking about a possible loss of quality This is one of the reasons why the photographers who tested the new Otus 1.4/85 lens exclusively beforehand returned it only reluctantly.
A view inside reveals how such optical quality was achieved. It is an optical-technical feat as you would expect only from Zeiss: The Otus 1.4/85 consists of eleven lens elements in nine groups. One of the lens elements has an aspheric optical surface and six are made of special glass. The optical design is based on the Planar. Because the Otus 1.4/85 is an apochromatic lens, chromatic diagonal aberrations (longitudinal chromatic aberrations) are corrected with the help of lens elements made of special glass with anomalous partial dispersion. As a result, there is practically no perceptible color fringing on contrast-rich edges both in front of and behind the focal plane. Bright-dark transitions in the image, and in particular highlights, are rendered free of color artifacts. Also, the variable air spaces between certain lens groups (“floating elements design”) create a consistently high imaging performance across the entire focusing range from 0.8 m to infinity.
Zeiss Otus 1.4/85 85mm f/1.4 ZF.2 Lens For Nikon Features
Because this lens is an apochromat, chromatic aberrations (axial chromatic aberations) are corrected with elements of special glass with anomalous partial dispersion. The chromatic aberrations are therefore significantly below the defined limits. Bright-dark transitions in the image, and especially highlights, are reproduced almost completely free of color artifacts.
The ultimate in image contrast
Aberrations caused by extreme differences between shadows and highlights are particularly obvious in images captured at night. Thanks to the outstanding correction of lateral chromatic aberration, the floodlit facade is reproduced with absolute perfection.
No colour fringing
Sources of light located in front of or behind the plane of focus present particular challenges to every lens. In the case of the Zeiss Otus, longitudinal chromatic aberration is so low that practically no colour fringing occurs.
The medium format look
Thanks to its exceptional sharpness, the Zeiss Otus exploits the full potentials of contemporary high-resolution sensors and rewards photographers with images characterised by breathtaking rendition of even the finest details.
The aspherical lens design ensures consistent imaging performance throughout the entire focusing range as well as sharpness to the periphery of the image. The asphere's more complex surface profile can reduce or eliminate spherical aberration and also reduce other optical aberrations compared to a simple lens.
Zeiss Otus 1.4/85 85mm f/1.4 ZF.2 Lens For Nikon Specifications
||f/1.4 – f/16
||0,8 m (31.50’’) - ∞
|Number of elements/groups
||11 / 9
|Angular field, diag./horiz./vert.
||28.24° / 23.71° / 15.97°
|Coverage at close range
||278,85 mm x 185,61 mm (10.97‘‘ x 7.31‘‘)
||M86 x 1.00
|Dimensions (with caps)
||ZF.2: 138 mm (5.43‘‘)
ZE: 141 mm (5.55‘‘)
|Diameter of focusing ring
||ZF.2: 101 mm (3.98‘‘)
ZE: 101 mm (3.98‘‘)
||F Mount (ZF.2)
EF Mount (ZE)